Fiction Workshop

ENGL A411-051 
Spring, 2005 

 

John Biguenet *  Office: Bobet 322 * Phone:  865-2474 

Homepage: www.loyno.edu/~biguenet/ * E-mail: biguenet@loyno.edu 

Office Hours: M&W 3:00-4:55 * TH: 9:00-11:00 * and by appointment
 

REQUIRED TEXT:  Halpern, Daniel.  The Art of the Story.  First Edition.  New York: Penguin Books, 1999. 


 

COURSE GOALS:  This course examines advanced topics in the writing of fiction, with special attention to contemporary trends in the genre.  Some attention is paid to publishing.  In addition to writing short fiction, students read extensively and analyze contemporary fiction. 
 

READINGS: Reading assignments should have been completed by the date indicated on the syllabus. You should be prepared to discuss the readings in class; however, much of what you read will not be discussed. These readings are designed to give you a variety of models.  Readings quizes may be given if necessary. 
 

WRITING ASSIGNMENTS:  All work (except journals) must be typed or computer printed using a dark ribbon; all work should be double-spaced.  (You are encouraged to use the computer resources of the Writing Across the Curriculum Center.)  Please number pages, including your journal.  Check with your instructor if you have any questions about documentation.  When writing about literature from the assigned texts, always include after the first reference to the title the number of the page upon which the work begins.  All in-class examinations should be written in bluebooks, which are available at the bookstore. 
 

WORKSHEETS:  Students will bring to class on the dates indicated below 16 copies of one of their stories for workshop discussion.  At the top of the story, the student's sequence number should appear followed by A or B, as noted below.  The student's name should be included on the copy given to the instructor. 
 

CONFERENCES:  Students will meet individually with the instructor for a conference after each submission of a new story. 
 

WORKSHOP CRITIQUES:  Students will prepare one-page critiques of each story that is included in the worksheet.  The strengths and weaknesses of the piece should be examined.  In preparing these critiques, students should focus on the story itself, not the writer; while a discussion of the plot, characters, and setting of the story is constructive, a judgment about the talent of the writer is not.  These critiques should be typed/computer printed and double-spaced.  The title of the story and its identifying sequence number should be centered at the top of the page.  Each critique is due the week after a story is handed out.  Though these required assignments will not be graded, students will receive credit for the critiques; the student's name should appear on the copy of the critique given to the instructor.  Students should keep a second copy for use during the discussion of the story, after which the critiques will be given to the author of the story. 
 

DUE DATES:  Deadlines are taken seriously by professional writers. Assignments may not be handed in late unless permission is granted in advance by the instructor.  No assignment will be accepted that is more than one week late.  (Remember that all writing requires revision; schedule your work on written assignments to allow for this necessary stage of the writing process.  You are encouraged to seek the assistance of your instructor.)  Make-up exams will be given only for compelling reasons (as judged by the instructor). 
 

JOURNAL (OPTIONAL):  Students may maintain a writer's journal in any form they find convenient. This journal is used for planning writing projects, noting ideas or observations, and responding to reading.  These journals should be turned in for review at mid-term and at the end of the semester.  Credit will be given for sustained effort. 
 

MANUSCRIPT SUBMISSION:  Each student should submit at least one revised story to an appropriate literary magazine by the end of the semester.  Please consult with your instructor about this submission and its format. 
 

STUDENTS WITH DISABILITIES:  Students with disabilities who wish to receive accommodations in this class should contact Disability Services at 865-2990 as soon as possible so that warranted accommodations can be implemented in a timely fashion.  The Office of Disability Services is located in the Academic Enrichment Center, Monroe Hall 405. 
 

GRADING SYSTEM:  Grades are based upon examination (40%), completion and quality of assignments (including creative work) (40%), attendance (including required conferences) (see attendance policy below) and participation in class (including submission of critiques) (20%). 
 

ATTENDANCE:  Students should make every effort to attend all classes; the success of a workshop course depends upon the full participation of all members of the class. After the second absence, each further absence unexcused by the instructor may result in a reduction of the final grade by half of a letter grade (e.g., B to C+). 
 

PREREQUISITES:  English 122/205 and 211 (or permission of instructor). 
 

NOTE: This is not a Common Curriculum course. 
 


 

CLASS ASSIGNMENTS

 

JAN 10

Introduction.

JAN 17

HOLIDAY

JAN 24

Writing Assignments:Writers 1-3 should bring 16 copies of a new story with their number at the top of the first page followed by "A" and their name on the copy given to the instructor.
Readings from The Art of the Story:From Aidoo (1) through  Atwood (42), especially Amis (25).Also, please have read Crace (189), Davis (199), Jones (349), and McCann (387).

 

JAN 31

Writing Assignments:Writers 4-6 should bring 16 copies of a new story with their number at the top of the first page followed by "A" and their name on the copy given to the instructor.Critiques due for workshop stories.
Readings from The Art of the Story:Through  Bausch (85), especially Banks (63) and Bausch (85).

 

FEB 7

HOLIDAY

FEB 14

Writing Assignments:Writers 7-9 should bring 16 copies of a new story with their number at the top of the first page followed by "A" and their name on the copy given to the instructor.Critiques due for workshop stories.
Readings from The Art of the Story:Through  Carver (146), especially Boyle (106) and Carver (146).

 

FEB 21

Writing Assignments:Writers 10-12 should bring 16 copies of a new story with their number at the top of the first page followed by "A" and their name on the copy given to the instructor.Critiques due for workshop stories.
Readings from The Art of the Story:Through Danticat (196), especially Cisneros (179) and Danticat (196).

 

FEB 28

Writing Assignments:Writers 13-15 should bring 16 copies of a new story with their number at the top of the first page followed by "A" and their name on the copy given to the instructor.Critiques due for workshop stories.
Readings from The Art of the Story:Through Eisenberg (233), especially Davis (199) and del Giudice (203).

 

MAR 7

Writing Assignments:Midterm Essay Due:  Compare and contrast the use of point of view, setting, or characterization in two of the stories read in the anthology.  Give page citations in parentheses for all quotations.Critiques due for workshop stories. 
Readings from The Art of the Story:Through Guibert (295), especially Ford (279).

 

MAR 14

Writing Assignments:Writers 1-3 should bring 16 copies of a new story with their number at the top of the first page followed by "B" and their name on the copy given to the instructor.  HAVE INSTRUCTOR APPROVE THE SHORT-STORY COLLECTION YOU WILL REVIEW (SEE APRIL 25 BELOW).
Readings from The Art of the Story:Through Jacobsen (346), especially Hannah (307) and Ishiguro (339).

 

MAR 21

HOLIDAY

MAR 28

Writing Assignments:Writers 4-6 should bring 16 copies of a new story with their number at the top of the first page followed by "B" and their name on the copy given to the instructor.Critiques due for workshop stories.
Readings from The Art of the Story:Through McEwan (393), especially Kureishi (359) and Mason (380).

 

APR 4

Writing Assignments:Writers 7-9 should bring 16 copies of a new story with their number at the top of the first page followed by "B" and their name on the copy given to the instructor.Critiques due for workshop stories.
Readings from The Art of the Story:Through Mukherjee (435), especially Mukherjee (435).

 

APR 11

Writing Assignments:Writers 10-12 should bring 16 copies of a new story with their number at the top of the first page followed by "B" and their name on the copy given to the instructor.Critiques due for workshop stories.
Readings from The Art of the Story:Through Pelevin (494), especially Marukami (453) and Oates (466).

 

APR 18

Writing Assignments:Writers 13-15 should bring 16 copies of a new story with their number at the top of the first page followed by "B" and their name on the copy given to the instructor.Critiques due for workshop stories.
Readings from The Art of the Story:Through Swift (534), especially Rushdie (513).

 

APR 25

Writing Assignments:Begin revision.  Second Essay Due:  Write a 700-word review of a collection of short stories by a single author.Critiques due for workshop stories.
Readings from The Art of the Story:Through Wicomb (591), especially Tabucchi (546).

 

MAY 2

Writing Assignments:Continue revision; bring 16 copies of outline of scenes of revised story with sequence number on top and name on copy given to the instructor.
Readings from The Art of the Story:Through Yoshimoto (650), especially Wolff (637).

 

May 9

7:00-9:00 P.M.
FINAL EXAMINATION:  Based upon a thorough revision of one of the stories you have written this semester, write an essay discussing the changes made and the reasons for those changes.  Submit a copy of the original version (with instructor's comments) and the revised story with the essay. 

 

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