International Machaut Society
Machaut Bibliography--Music
Provided by Kevin N. Moll and last updated on March 24,
2000
This bibliography will be updated periodically; please
direct comments or suggestions to mollk@mail.ecu.edu
Allaire, Gaston. "Les énigmes de l'Antefana et du double
hoquet de Machault: une tentative de solution." Revue de Musicologie
66 (1980): 27-56.
Apel, Willi. "The Development of French Secular Music during
the Fourteenth Century." Musica Disciplina 27 (1973): 41-59.
__________. The Notation of Polyphonic Music: 900-1600.
Cambridge, MA: The Mediaeval Academy of America, 1942.
Apfel, Ernst. "Über den vierstimmigen Satz im 14. und 15.
Jahrhunderts." Archiv für Musikwissenschaft 18 (1961): 34-51.
Translated as "Four-Voice Counterpoint in the Fourteenth and Fifteenth
Centuries," in Counterpoint and Compositional Process in the Time
of Dufay, ed. and trans. Kevin N. Moll (New York and London:
Garland, 1997); 245-67.
Arlt, Wulf. "Aspekte der Chronologie und des Stilwandels im
französischen Lied des 14. Jahrhunderts." Forum Musicologicum.
3. Aktuelle Fragen der musikbezogenen Mittelalterforschung.
Eds. Hans Oesch and Wulf Arlt. Winterthur: Amadeus, 1982; 228-61.
Bent, Margaret. "Deception, Exegesis and Sounding Number in
Machaut's Motet 15." Early Music History 10 (1991): 15-26.
__________. "The Machaut Manuscripts Vg, B and E." Musica
Disciplina 37 (1983): 53-82.
Berke, Dietrich. "Studien zur mehrstimmigen Französischen
Messenkomposition des 14. Jahrhunderts." Dissertation, University of
Würzburg, 1966.
Brownlee, Kevin. "Machaut's Motet 15 and the Roman de la
Rose: The Literary Context of Amours qui a pouoir / Faus samblant m'a
deceü / Vidi dominum." Early Music History 10 (1991): 1-14.
Cape, Safford. "The Machaut Mass and its Performance." Score
25 (1959): 38-57; 26 (1960): 20-9.
Chailley, Jacques. "La composition dans la messe de G. de
Machaut." Guillaume de Machaut: Colloque-Table Ronde organisé par
l'Université de Reims sous le haut patronage et avec la participation
du Centre National de la Recherche Scientifique, du Ministère de la
Culture et de l'Environnement et de la Fondation d'Hautvilliers pour le
Dialogue de Cultures, Reims (19-22 avril 1978). Paris: Klincksieck,
1982; 281-8.
__________. Histoire musicale du moyen-âge. Paris:
Pressen Universitaires de France, 1950.
Coussemaker, Charles Edmond de. Les Harmonistes du XIVe
siècle. Lille: Lefebvre-Ducrocq, 1869.
Crocker, Richard L. A History of Musical Style.
1966. Reprint New York: Dover, 1986.
Cross, Lucy E. "Chromatic Alteration and Extrahexachordal
Intervals in Fourteenth-Century Polyphonic Repertories." Ph.D.
dissertation, Columbia University, 1990.
Dahlhaus, Carl. " 'Zentrale' und 'Periphere' Züge in der
Dissonanztechnik Machauts." Forum Musicologicum. 3. Eds. Hans
Oesch and Wulf Arlt. Winterthur: Amadeus, 1982; 281-305.
Delone, Richard P. "Machaut and the Ballade Style." Indiana
Theory Review 2-3 (1979-80): 15-28.
Dömling, Wolfgang. "Aspekte der Sprachvertonung in den
Balladen Guillaume de Machauts." Die Musikforschung 25 (1972):
301-7.
__________. "Isothythmie und Variation." Archiv für
Musikwissenschaft 28 (1971): 24-32.
__________. Die mehrstimmigen Balladen, Rondeaux und
Virelais von Guillaume de Machaut. Vol. 16 in the series Münchener
Veröffentlichungen zur Musikgeschichte. Ed. Thrasybulos Georgiades.
Tutzing: Hans Schneider, 1970.
__________. "Zur Überlieferung der musikalischen Werke
Guillaume de Machauts." Die Musikforschung 22 (1969): 189-95.
Earp, Lawrence. Guillaume de Machaut: A Guide to
Research. Vol. 36 in the series Composer Resource Manuals.
New York and London: Garland, 1995.
__________. "Lyrics for Reading and Lyrics for Singing in
Late Medieval France: The Development of the Dance Lyric from Adam de
la Halle to Guillaume de Machaut." The Union of Words and Music in
Medieval Poetry. Eds. Rebecca A. Baltzer, Thomas Cable, and James
I. Wimsatt. Austin: University of Texas Press, 1991; 101-31.
__________. "Scribal Practice, Manuscript Production and the
Transmission of Music in Later Medieval France: The Manuscripts of
Guillaume de Machaut." Ph.D. dissertation, Princeton University, 1983.
Eggebrecht, Hans Heinrich. "Machauts Motette Nr. 9." Archiv
für Musikwissenschaft 19/20 (1962-63): 281-93 and 25 (1968): 173-95.
Fallows, David. "Guillaume de Machaut and his Mass: A
Commemoration and a Review." Musical Times 118 (1977): 288-91.
__________. "Guillaume de Machaut and the Lai: A new
source." Early Music 5 (1977): 477-83.
Fassler, Ewald. "Die Kadenzen der französischen Chansons von
Machaut bis Dufay." Dissertation, University of Innsbruck, 1973.
Fuller, Sarah. "Line, Contapunctus and Structure in a
Machaut Song." Musical Analysis 6 (1987): 37-58.
__________. "Modal Treatment and Tonal Orientation in Motets
of Guillaume de Machaut." Festschrift for Ernest Sanders, in Current
Musicology 45-47 (1988) 199-245.
__________. "On Sonority in Fourteenth-Century Polyphony:
Some Preliminary Reflections." Journal of Music Theory 30
(1986): 35-70.
__________. "Tendencies and Resolutions: The Directed
Progression in Ars Nova Music." Journal of Music Theory 36
(1992): 229-58.
___________, ed. The European Musical Heritage: 800-1750.
New York: Alfred A. Knopf, 1987 [annotated anthology of scores,
including works by Machaut].
Gallo, F. Alberto. Music of the Middle Ages [vol.] II.
1977. Trans. Karen Eales. Cambridge: Cambridge University Press, 1985.
Göllner, Marie Louise. "Ars Nova." Geschichte der
katholischen Kirchenmusik. 2 vols. Ed. Karl Gustav Fellerer.
Kassel: Bärenreiter, 1972; Vol. 1, 381-97.
__________. "Musical and Poetic Structure in the Refrain
Forms of Machaut." Liedstudien: Wolfgang Osthoff zum 60. Geburtstag.
Eds. Martin Just and Reinhard Wiesend. Tutzing: Hans Schneider, 1989;
61-76.
Gombosi, Otto. "Machaut's Messe de Notre-Dame." Musical
Quarterly 36 (1950): 204-24.
Günther, Ursula. "Chronologie und Stil der Kompositionen
Guillaume de Machauts." Acta Musicologica 35 (1963): 96-114.
__________. "The Fourteenth-Century Motet and its
Development." Musica Disciplina 12 (1958): 27-58.
Guthrie, Steven. "Meter and Performance in Machaut and
Chaucer." The Union of Words and Music in Medieval Poetry. Eds.
Rebecca A. Baltzer, Thomas Cable, and James I. Wimsatt. Austin:
University of Texas Press, 1991; 72-100.
Handschin, Jacques. "Zur Frage der melodischen
Paraphrasierung im Mittelalter." Zeitschrift für Musikwissenschaft 10
(1928): 513-59.
Harden, Jean. "'Musica Ficta' in Machaut." Early Music 5
(1977): 473-6.
__________. "Sharps, Flats, and Scribes: Musica Ficta in the
Machaut Manuscripts." Ph.D. dissertation, Cornell University, 1983.
Hasselman, Margaret P. "The French Chanson of the
Mid-Fourteenth Century." 2 vols. Ph.D. dissertation, University of
California at Berkeley, 1970.
Hatten, Robert S. "Towards a Unified Theory: The Music of
Machaut." Indiana Theory Review 2-3 (1979-80): 4-14.
Hirshberg, Jehoash. "Hexachordal and Modal Structure in
Machaut's Polyphonic Chansons." Studies in Musicology in Honor of
Otto E. Albrecht. Ed. John Walter Hill. Kassel: Bärenreiter, 1980;
19-42.
Hoppin, Richard H. Medieval Music. New York: W.W.
Norton, 1978.
Hughes, Andrew. Manuscript Accidentals: Ficta in
Focus-1350-1450. Vol. 27 in the series Musicological Studies
and Documents. Ed. Armen Carapetyan. [Rome:] American Institute of
Musicology, 1972.
Karp, Theodore. "Compositional Process in Machaut's
Ballades." Music from the Middle Ages through the Twentieth
Century: Essays in Honor of Gwynn McPeek. Eds. Carmelo P.
Comberiati and Matthew C. Steel. New York: Gordon and Breech, 1988;
64-78.
Keitel, Elizabeth A. "A Chronology of the Compositions of
Guillaume de Machaut Based on as Study of Fascicle-Manuscript Structure
in the Larger Manuscripts." Ph.D. dissertation, Cornell University,
1976.
__________. "The musical manuscripts of Guillaume de
Machaut." Early Music 5 (1977): 469-72.
__________. "The So-Called Cyclic Mass of Guillaume de
Machaut: New Evidence for an Old Debate." Musical Quarterly 68
(1982): 307-23.
Kuckertz, Josef. "Die Satztechnik in den mehrstimmigen
Messordinarien des 14. Jahrhunderts." Kirchenmusikalisches Jahrbuch
52 (1968): 45-51 (with additional musical examples).
Kühn, Hellmut. "Guillaume de Machaut, Motette Nr. 22." Chormusik
und Analyse. Ed. Heinrich Poos. Mainz: Schott, 1983; 29-41.
__________. Die Harmonik der Ars Nova. Vol. 5 in the
series Berliner Musikwissenschaftliche Arbeiten. Eds. Carl
Dahlhaus and Rudolf Stephan. Munich: Emil Katzbichler, 1973.
Leech-Wilkinson, Daniel. Machaut's Mass: An Introduction
[and Edition]. Oxford: Clarendon Press, 1990.
__________. "Machaut's Rose, liz and the problem of
early music analysis." Musical Analysis 3 (1984): 9-28.
__________. "Not Just a Pretty Tune: Structuring Devices in
Four Machaut Virelais." Sonus 12 (1991): 16-31.
Levarie, Sigmund. Guillaume de Machaut. In the
series Great Religious Composers. Ed. John J. Becker. New
York: Sheed and Ward, 1954.
Ludwig, Friedrich. "Die mehrstimmige Messe des 14.
Jahrhunderts." Archiv für Musikwissenschaft 7 (1925): 417-35.
__________. "Die mehrstimmige Musik des 14. Jahrhunderts." Sammelbände
der internationalen Musikgesellschaft 4 (1902): 16-69.
Machabey, Armand. Guillaume de Machaut: La vie et
l'oeuvre musicale. 2 vols. Paris: Richard-Masse, 1955.
Machaut, Guillaume de. Guillaume de Machaut:
Musikalische Werke. Ed. Friedrich Ludwig. Vol. I in the series Publikationen
älterer Musik. 4 vols. 1926-1943. Reprint Leipzig: Breitkopf &
Härtel, 1954.
__________. Messe de Nostre Dame [facsimile edition
based on MS A = F: Paris, Bibliothèque nationale, fonds fr. 1584]. Ed.
Friedrich Gennrich. Darmstadt: n.p., 1957.
__________. The Works of Guillaume de Machaut-First
Part: Lais - Complainte - Chanson Royale - Motets Nos. 1 to 16. Ed.
Leo Schrade. Vol. 2 in the series Polyphonic Music in the
Fourteenth Century (with separate volume of critical commentary).
Monaco: L'Oiseau-Lyre, 1956.
__________. The Works of Guillaume de Machaut-Second
Part: Motets Nos. 17 to 24 - Mass - Double Hoquet - Ballades - Rondeaux
- Virelais. Ed. Leo Schrade. Vol. 3 in the series Polyphonic Music
in the Fourteenth Century (with separate volume of critical
commentary). Monaco: L'Oiseau-Lyre, 1956.
Marggraf, Wolfgang. "Tonalität und Harmonik in den
französischen Chanson zwischen Machaut und Dufay." Archiv für
Musikwissenschaft 23 (1966): 11-31. Translated as "Tonality and
Harmony in the French Chanson between Machaut and Dufay," in Counterpoint
and Compositional Process in the Time of Dufay, ed. and trans.
Kevin N. Moll (New York and London: Garland, 1997); 301-25.
Machabey, Armand. Genèse de la tonalité musicale
classique des origines au XVe siècle. Paris: Richard-Masse, 1955.
__________. Guillaume de Machaut. La vie et l'oeuvre
musicale. 2 vols. Paris: Richard-Masse, 1955.
__________. "La musique religieuse française au XIVe
siècle." Revue Musicale 222 (1953-54): 30-43.
Marquis, George Welton. "Contrapuntal and Harmonic
Tendencies in Fourteenth-Century France." Ph.D. dissertation,
University of Southern California, 1950.
Marrocco, W. Thomas and Nicholas Sandon, eds. The Oxford
Anthology of Medieval Music. New York: Oxford University Press,
1977 [annotated anthology of scores, including works by Machaut].
Mascaudio, Guglielmi de [= Guillaume de Machaut]. Opera
I: La Messe de Nostre Dame. Ed. Guglielmus [Guillaume] de Van.
Volume 2 in the series Corpus Mensurabilis Musicae. General ed.
Armen Carapetyan. Rome: American Institute of Musicology, 1949.
Moll, Kevin N. "Structural Determinants in Polyphony for the
Mass Ordinary from French and Related Sources (ca. 1320-1410)." Ph.D.
dissertation, Stanford University, 1994.
Monnikendam, Marius. "De Machauts 'Messe Notre-Dame.' Oudste
mannenkoormis?" Mens en Melodie 8 (1953): 344-6.
Morgan, Glen E. "Stylistic Features of the Music of
Guillaume de Machaut." Ph.D. dissertation, Indiana University, 1963.
Neves, Virginia. "Imitation in the Ars Nova and Ars
Subtilior." Revue Belge de Musicologie 31 (1977): 38-59.
Page, Christopher. "Machaut's 'pupil' Deschamps on the
performance of music: Voices or instruments in the Fourteenth-Century
chanson?" Early Music 5 (1977): 484-98.
__________. "The Performance of Songs in Late-Medieval
France: A New Source." Early Music 20 (1982): 441-50.
Parrish, Carl. The Notation of Medieval Music. 1957.
New York: W.W. Norton, 1978.
Pearle, George. "Integrative Devices in the Music of
Machaut." Musical Quarterly 34 (1948): 169-76.
Pelinski, Ramón. "Die Motetten Machauts." Magisterarbeit,
University of Munich, 1963.
__________. "Zusammenklang und Aufbau in den Motetten
Machauts." Die Musikforschung 28 (1975): 62-71.
Plumley, Yolanda. The Grammar of Fourteenth-Century
Melody. In the series Outstanding Dissertations from British
Universities. New York: Garland, 1996.
Prisor, Lothar. "Die Motette in der Frühzeit der Ars Nova."
Dissertation, University of Freiburg (Breisgau), 1971.
Reaney, Gilbert. "The Ballades, Rondeaux and Virelais of
Guillaume de Machaut: Melody, Rhythm and Form." Acta Musicologica 27
(1955): 40-58.
__________. "The Development of the Rondeau, Virelai and
Ballade Forms from Adame de la Hale to Guillaume de Machaut." Festschrift
Karl Gustav Fellerer, zum 60. Geburtstag. Ed. Herbert Drux.
Cologne: Arno Volk, 1962; 421-7.
__________. "Fourteenth-Century Harmony and the Ballades,
Rondeaux and Virelais of Guillaume de Machaut." Musica Disciplina 7
(1953): 129-46.
__________. "The Isorhythmic Motet and its Social
Background." Bericht über den internationalen
musikwissenschaftlichen Kongress Kassel 1962. Eds. Georg Reichert
and Martin Just. Kassel: Bärenreiter, 1963; 25-7.
__________. Machaut. Vol. 9 in the series Oxford
Studies of Composers. London: Oxford University Press, 1971.
__________. "Modes in the Fourteenth Century, in Particular
in the Music of Guillaume de Machaut." Organices Voces: Festschrift
Joseph Smits van Waesberghe. Ed. Pieter Fischer. Amsterdam: I.M.M.
Institut voor Middeleeuwse Musiekwetenschap, 1963; 137-43.
__________. "Musica Ficta in the Works of Guillaume de
Machaut." Les Colloques de Wégimont 2 (1955). Paris: Société
d'Edition "Les Belles Lettres," 1959; 196-203.
__________. "Notes on the Harmonic Technique of Guillaume de
Machaut." Essays in Musicology: A Birthday Offering for Willi Apel.
Ed. Hans Tischler. Blommington: Indiana University Press, 1968; 63-8.
__________. "The Poetic Form of Machaut's Musical Works." Musica
Disciplina 13 (1959): 25-41.
__________. "Toward a Chronology of Machaut's Musical
Works." Musica Disciplina 21 (1967): 87-96.
__________. "Transposition and 'Key' Signatures in Late
Medieval Music." Musica Disciplina 33 (1979): 27-41.
__________. "Voices and Instruments in the Music of
Guillaume de Machaut." Kongress-Bericht Bamberg 1953. Eds.
Wilfried Brennecke, et al. Kassel and Basel: Bärenreiter, 1954; 245-8.
__________, ed. Manuscripts of Polyphonic Music (c.
1320-1400). RISM B IV2. Munich-Duisburg: Henle, 1969.
Reese, Gustave. Music in the Middle Ages. New York:
W.W. Norton, 1940.
Reichert, Georg. "Das Verhältnis zwischen musikalischer und
textlicher Stuktur in den Motetten Machauts." Archiv für
Musikwissenschaft 13 (1956): 197-216.
Riemann, Hugo. "Das Kunstlied im 14-15. Jahhundert." Sammelbände
der internationalen Musikgesellschaft 7 (1906): 529-50.
Robertson, Anne Walters. "The Mass of Guillaume de Machaut
in the cathedral of Reims." Plainsong in the age of polyphony. Ed.
Thomas Forrest Kelly. Vol. 2 in the series Cambridge Studies in
Performance Practice. Cambridge: Cambridge University Press, 1992;
100-39.
Sanders, Ernest H. "The Medieval Motet." Gattungen der
Musik in Einzeldarstellungen: Gedenkschrift Leo Schrade. Vol. I.
Eds. Wulf Arlt, et al. Bern: Franke, 1973; 497-573.
Schneider, Marius. Die Ars Nova des XIV. Jahrhunderts in
Frankreich und Italien. Potsdam: Hayn, 1931.
Schrade, Leo. "The Chronology of the Ars Nova in France." Les
Colloques de Wégimont, II-1955. Paris: Société d'Edition "Les
Belles Lettres," 1959; 37-62.
__________. "Guillaume de Machaut and the Roman de Fauvel." Miscenánea
en homenaje a Monseñor Higinio Anglès. 2 vols. Barcelona: Consejo
Superior de Investigaciones Científicas, 1958/61; Vol. 2, 843-50.
Swartz, Anne. "A New Chronology of the Ballades of Machaut."
Acta Musicologica 46 (1974): 192-207.
Ursprung, Otto. Die Katholische Kirchenmusik. Handbuch
der Musikwissenschaft [Vol. 9]. Ed. Ernst Bücken. Potsdam:
Athenaion, 1931.
Wilkins, Nigel. Music in the Age of Chaucer. 2nd ed.
Chaucer Studies I. Cambridge, England: D.S. Brewer, 1980.
Williams, Sarah J. "The lady, the lyric, the letters." Early
Music 5 (1977): 462-8.
__________. "The Music of Guillaume de Machaut." Ph.D.
dissertation, Yale University, 1952.
__________. "Vocal Scoring in the Chansons of Guillaume de
Machaut." Journal of the American Musicological Society 21
(1968): 251-7.
Wilson, David F. Music of the Middle Ages: Style and
Structure. New York: Schirmer, 1990.
Wimsatt, James I. "Chaucer and Deschamps' 'Natural Music.'" The
Union of Words and Music in Medieval Poetry. Eds. Rebecca A.
Baltzer, Thomas Cable, and James I. Wimsatt. Austin: University of
Texas Press, 1991; 131-50.
Yudkin, Jeremy. Music in Medieval Europe. Englewood
Cliffs, NJ: Prentice-Hall, 1989.
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