International Machaut Society
Machaut Bibliography--Music
Provided by Kevin N.
Moll and last updated on March 24, 2000
This bibliography will be updated periodically; please direct
comments or suggestions to mollk@mail.ecu.edu
Allaire, Gaston. "Les énigmes de l'Antefana et du double hoquet de
Machault: une tentative de solution." Revue de Musicologie 66
(1980): 27-56.
Apel, Willi. "The Development of French Secular Music during the
Fourteenth Century." Musica Disciplina 27 (1973): 41-59.
__________. The Notation of Polyphonic Music: 900-1600.
Cambridge, MA: The Mediaeval Academy of America, 1942.
Apfel, Ernst. "Über den vierstimmigen Satz im 14. und 15.
Jahrhunderts." Archiv für Musikwissenschaft 18 (1961): 34-51.
Translated as "Four-Voice Counterpoint in the Fourteenth and Fifteenth
Centuries," in Counterpoint and Compositional Process in the Time of
Dufay, ed. and trans. Kevin N. Moll (New York and London: Garland,
1997); 245-67.
Arlt, Wulf. "Aspekte der Chronologie und des Stilwandels im
französischen Lied des 14. Jahrhunderts." Forum Musicologicum. 3.
Aktuelle Fragen der musikbezogenen Mittelalterforschung. Eds.
Hans Oesch and Wulf Arlt. Winterthur: Amadeus, 1982; 228-61.
Bent, Margaret. "Deception, Exegesis and Sounding Number in Machaut's
Motet 15." Early Music History 10 (1991): 15-26.
__________. "The Machaut Manuscripts Vg, B and E." Musica
Disciplina 37 (1983): 53-82.
Berke, Dietrich. "Studien zur mehrstimmigen Französischen
Messenkomposition des 14. Jahrhunderts." Dissertation, University of
Würzburg, 1966.
Brownlee, Kevin. "Machaut's Motet 15 and the Roman de la Rose: The
Literary Context of Amours qui a pouoir / Faus samblant m'a deceü / Vidi
dominum." Early Music History 10 (1991): 1-14.
Cape, Safford. "The Machaut Mass and its Performance." Score
25 (1959): 38-57; 26 (1960): 20-9.
Chailley, Jacques. "La composition dans la messe de G. de Machaut."
Guillaume de Machaut: Colloque-Table Ronde organisé par l'Université
de Reims sous le haut patronage et avec la participation du Centre
National de la Recherche Scientifique, du Ministère de la Culture et de
l'Environnement et de la Fondation d'Hautvilliers pour le Dialogue de
Cultures, Reims (19-22 avril 1978). Paris: Klincksieck, 1982;
281-8.
__________. Histoire musicale du moyen-âge. Paris: Pressen
Universitaires de France, 1950.
Coussemaker, Charles Edmond de. Les Harmonistes du XIVe
siècle. Lille: Lefebvre-Ducrocq, 1869.
Crocker, Richard L. A History of Musical Style. 1966. Reprint
New York: Dover, 1986.
Cross, Lucy E. "Chromatic Alteration and Extrahexachordal Intervals
in Fourteenth-Century Polyphonic Repertories." Ph.D. dissertation,
Columbia University, 1990.
Dahlhaus, Carl. " 'Zentrale' und 'Periphere' Züge in der
Dissonanztechnik Machauts." Forum Musicologicum. 3. Eds. Hans
Oesch and Wulf Arlt. Winterthur: Amadeus, 1982; 281-305.
Delone, Richard P. "Machaut and the Ballade Style." Indiana Theory
Review 2-3 (1979-80): 15-28.
Dömling, Wolfgang. "Aspekte der Sprachvertonung in den Balladen
Guillaume de Machauts." Die Musikforschung 25 (1972): 301-7.
__________. "Isothythmie und Variation." Archiv für
Musikwissenschaft 28 (1971): 24-32.
__________. Die mehrstimmigen Balladen, Rondeaux und Virelais von
Guillaume de Machaut. Vol. 16 in the series Münchener
Veröffentlichungen zur Musikgeschichte. Ed. Thrasybulos Georgiades.
Tutzing: Hans Schneider, 1970.
__________. "Zur Überlieferung der musikalischen Werke Guillaume de
Machauts." Die Musikforschung 22 (1969): 189-95.
Earp, Lawrence. Guillaume de Machaut: A Guide to Research.
Vol. 36 in the series Composer Resource Manuals. New York and
London: Garland, 1995.
__________. "Lyrics for Reading and Lyrics for Singing in Late
Medieval France: The Development of the Dance Lyric from Adam de la
Halle to Guillaume de Machaut." The Union of Words and Music in
Medieval Poetry. Eds. Rebecca A. Baltzer, Thomas Cable, and James I.
Wimsatt. Austin: University of Texas Press, 1991; 101-31.
__________. "Scribal Practice, Manuscript Production and the
Transmission of Music in Later Medieval France: The Manuscripts of
Guillaume de Machaut." Ph.D. dissertation, Princeton University,
1983.
Eggebrecht, Hans Heinrich. "Machauts Motette Nr. 9." Archiv für
Musikwissenschaft 19/20 (1962-63): 281-93 and 25 (1968): 173-95.
Fallows, David. "Guillaume de Machaut and his Mass: A Commemoration
and a Review." Musical Times 118 (1977): 288-91.
__________. "Guillaume de Machaut and the Lai: A new source."
Early Music 5 (1977): 477-83.
Fassler, Ewald. "Die Kadenzen der französischen Chansons von Machaut
bis Dufay." Dissertation, University of Innsbruck, 1973.
Fuller, Sarah. "Line, Contapunctus and Structure in a Machaut Song."
Musical Analysis 6 (1987): 37-58.
__________. "Modal Treatment and Tonal Orientation in Motets of
Guillaume de Machaut." Festschrift for Ernest Sanders, in
Current Musicology 45-47 (1988) 199-245.
__________. "On Sonority in Fourteenth-Century Polyphony: Some
Preliminary Reflections." Journal of Music Theory 30 (1986):
35-70.
__________. "Tendencies and Resolutions: The Directed Progression in
Ars Nova Music." Journal of Music Theory 36 (1992): 229-58.
___________, ed. The European Musical Heritage: 800-1750. New
York: Alfred A. Knopf, 1987 [annotated anthology of scores, including
works by Machaut].
Gallo, F. Alberto. Music of the Middle Ages [vol.] II.
1977. Trans. Karen Eales. Cambridge: Cambridge University Press,
1985.
Göllner, Marie Louise. "Ars Nova." Geschichte der katholischen
Kirchenmusik. 2 vols. Ed. Karl Gustav Fellerer. Kassel: Bärenreiter,
1972; Vol. 1, 381-97.
__________. "Musical and Poetic Structure in the Refrain Forms of
Machaut." Liedstudien: Wolfgang Osthoff zum 60. Geburtstag. Eds.
Martin Just and Reinhard Wiesend. Tutzing: Hans Schneider, 1989;
61-76.
Gombosi, Otto. "Machaut's Messe de Notre-Dame." Musical
Quarterly 36 (1950): 204-24.
Günther, Ursula. "Chronologie und Stil der Kompositionen Guillaume de
Machauts." Acta Musicologica 35 (1963): 96-114.
__________. "The Fourteenth-Century Motet and its Development."
Musica Disciplina 12 (1958): 27-58.
Guthrie, Steven. "Meter and Performance in Machaut and Chaucer."
The Union of Words and Music in Medieval Poetry. Eds. Rebecca A.
Baltzer, Thomas Cable, and James I. Wimsatt. Austin: University of Texas
Press, 1991; 72-100.
Handschin, Jacques. "Zur Frage der melodischen Paraphrasierung im
Mittelalter." Zeitschrift für Musikwissenschaft 10 (1928):
513-59.
Harden, Jean. "'Musica Ficta' in Machaut." Early Music 5
(1977): 473-6.
__________. "Sharps, Flats, and Scribes: Musica Ficta in the Machaut
Manuscripts." Ph.D. dissertation, Cornell University, 1983.
Hasselman, Margaret P. "The French Chanson of the Mid-Fourteenth
Century." 2 vols. Ph.D. dissertation, University of California at
Berkeley, 1970.
Hatten, Robert S. "Towards a Unified Theory: The Music of Machaut."
Indiana Theory Review 2-3 (1979-80): 4-14.
Hirshberg, Jehoash. "Hexachordal and Modal Structure in Machaut's
Polyphonic Chansons." Studies in Musicology in Honor of Otto E.
Albrecht. Ed. John Walter Hill. Kassel: Bärenreiter, 1980;
19-42.
Hoppin, Richard H. Medieval Music. New York: W.W. Norton,
1978.
Hughes, Andrew. Manuscript Accidentals: Ficta in Focus-1350-1450.
Vol. 27 in the series Musicological Studies and Documents.
Ed. Armen Carapetyan. [Rome:] American Institute of Musicology,
1972.
Karp, Theodore. "Compositional Process in Machaut's Ballades."
Music from the Middle Ages through the Twentieth Century: Essays in
Honor of Gwynn McPeek. Eds. Carmelo P. Comberiati and Matthew C.
Steel. New York: Gordon and Breech, 1988; 64-78.
Keitel, Elizabeth A. "A Chronology of the Compositions of Guillaume
de Machaut Based on as Study of Fascicle-Manuscript Structure in the
Larger Manuscripts." Ph.D. dissertation, Cornell University, 1976.
__________. "The musical manuscripts of Guillaume de Machaut."
Early Music 5 (1977): 469-72.
__________. "The So-Called Cyclic Mass of Guillaume de Machaut: New
Evidence for an Old Debate." Musical Quarterly 68 (1982):
307-23.
Kuckertz, Josef. "Die Satztechnik in den mehrstimmigen Messordinarien
des 14. Jahrhunderts." Kirchenmusikalisches Jahrbuch 52 (1968):
45-51 (with additional musical examples).
Kühn, Hellmut. "Guillaume de Machaut, Motette Nr. 22." Chormusik
und Analyse. Ed. Heinrich Poos. Mainz: Schott, 1983; 29-41.
__________. Die Harmonik der Ars Nova. Vol. 5 in the series
Berliner Musikwissenschaftliche Arbeiten. Eds. Carl Dahlhaus and
Rudolf Stephan. Munich: Emil Katzbichler, 1973.
Leech-Wilkinson, Daniel. Machaut's Mass: An Introduction [and
Edition]. Oxford: Clarendon Press, 1990.
__________. "Machaut's Rose, liz and the problem of early
music analysis." Musical Analysis 3 (1984): 9-28.
__________. "Not Just a Pretty Tune: Structuring Devices in Four
Machaut Virelais." Sonus 12 (1991): 16-31.
Levarie, Sigmund. Guillaume de Machaut. In the series Great
Religious Composers. Ed. John J. Becker. New York: Sheed and Ward,
1954.
Ludwig, Friedrich. "Die mehrstimmige Messe des 14. Jahrhunderts."
Archiv für Musikwissenschaft 7 (1925): 417-35.
__________. "Die mehrstimmige Musik des 14. Jahrhunderts."
Sammelbände der internationalen Musikgesellschaft 4 (1902):
16-69.
Machabey, Armand. Guillaume de Machaut: La vie et l'oeuvre
musicale. 2 vols. Paris: Richard-Masse, 1955.
Machaut, Guillaume de. Guillaume de Machaut: Musikalische
Werke. Ed. Friedrich Ludwig. Vol. I in the series Publikationen
älterer Musik. 4 vols. 1926-1943. Reprint Leipzig: Breitkopf &
Härtel, 1954.
__________. Messe de Nostre Dame [facsimile edition based on
MS A = F: Paris, Bibliothèque nationale, fonds fr. 1584]. Ed. Friedrich
Gennrich. Darmstadt: n.p., 1957.
__________. The Works of Guillaume de Machaut-First Part: Lais -
Complainte - Chanson Royale - Motets Nos. 1 to 16. Ed. Leo Schrade.
Vol. 2 in the series Polyphonic Music in the Fourteenth Century
(with separate volume of critical commentary). Monaco: L'Oiseau-Lyre,
1956.
__________. The Works of Guillaume de Machaut-Second Part: Motets
Nos. 17 to 24 - Mass - Double Hoquet - Ballades - Rondeaux - Virelais.
Ed. Leo Schrade. Vol. 3 in the series Polyphonic Music in the
Fourteenth Century (with separate volume of critical commentary).
Monaco: L'Oiseau-Lyre, 1956.
Marggraf, Wolfgang. "Tonalität und Harmonik in den französischen
Chanson zwischen Machaut und Dufay." Archiv für Musikwissenschaft
23 (1966): 11-31. Translated as "Tonality and Harmony in the French
Chanson between Machaut and Dufay," in Counterpoint and Compositional
Process in the Time of Dufay, ed. and trans. Kevin N. Moll (New York
and London: Garland, 1997); 301-25.
Machabey, Armand. Genèse de la tonalité musicale classique des
origines au XVe siècle. Paris: Richard-Masse, 1955.
__________. Guillaume de Machaut. La vie et l'oeuvre musicale.
2 vols. Paris: Richard-Masse, 1955.
__________. "La musique religieuse française au XIVe siècle."
Revue Musicale 222 (1953-54): 30-43.
Marquis, George Welton. "Contrapuntal and Harmonic Tendencies in
Fourteenth-Century France." Ph.D. dissertation, University of Southern
California, 1950.
Marrocco, W. Thomas and Nicholas Sandon, eds. The Oxford Anthology
of Medieval Music. New York: Oxford University Press, 1977
[annotated anthology of scores, including works by Machaut].
Mascaudio, Guglielmi de [= Guillaume de Machaut]. Opera I: La
Messe de Nostre Dame. Ed. Guglielmus [Guillaume] de Van. Volume 2 in
the series Corpus Mensurabilis Musicae. General ed. Armen
Carapetyan. Rome: American Institute of Musicology, 1949.
Moll, Kevin N. "Structural Determinants in Polyphony for the Mass
Ordinary from French and Related Sources (ca. 1320-1410)." Ph.D.
dissertation, Stanford University, 1994.
Monnikendam, Marius. "De Machauts 'Messe Notre-Dame.' Oudste
mannenkoormis?" Mens en Melodie 8 (1953): 344-6.
Morgan, Glen E. "Stylistic Features of the Music of Guillaume de
Machaut." Ph.D. dissertation, Indiana University, 1963.
Neves, Virginia. "Imitation in the Ars Nova and Ars Subtilior."
Revue Belge de Musicologie 31 (1977): 38-59.
Page, Christopher. "Machaut's 'pupil' Deschamps on the performance of
music: Voices or instruments in the Fourteenth-Century chanson?"
Early Music 5 (1977): 484-98.
__________. "The Performance of Songs in Late-Medieval France: A New
Source." Early Music 20 (1982): 441-50.
Parrish, Carl. The Notation of Medieval Music. 1957. New York:
W.W. Norton, 1978.
Pearle, George. "Integrative Devices in the Music of Machaut."
Musical Quarterly 34 (1948): 169-76.
Pelinski, Ramón. "Die Motetten Machauts." Magisterarbeit, University
of Munich, 1963.
__________. "Zusammenklang und Aufbau in den Motetten Machauts."
Die Musikforschung 28 (1975): 62-71.
Plumley, Yolanda. The Grammar of Fourteenth-Century Melody. In
the series Outstanding Dissertations from British Universities.
New York: Garland, 1996.
Prisor, Lothar. "Die Motette in der Frühzeit der Ars Nova."
Dissertation, University of Freiburg (Breisgau), 1971.
Reaney, Gilbert. "The Ballades, Rondeaux and Virelais of Guillaume de
Machaut: Melody, Rhythm and Form." Acta Musicologica 27 (1955):
40-58.
__________. "The Development of the Rondeau, Virelai and Ballade
Forms from Adame de la Hale to Guillaume de Machaut." Festschrift
Karl Gustav Fellerer, zum 60. Geburtstag. Ed. Herbert Drux. Cologne:
Arno Volk, 1962; 421-7.
__________. "Fourteenth-Century Harmony and the Ballades, Rondeaux
and Virelais of Guillaume de Machaut." Musica Disciplina 7
(1953): 129-46.
__________. "The Isorhythmic Motet and its Social Background."
Bericht über den internationalen musikwissenschaftlichen Kongress
Kassel 1962. Eds. Georg Reichert and Martin Just. Kassel:
Bärenreiter, 1963; 25-7.
__________. Machaut. Vol. 9 in the series Oxford Studies of
Composers. London: Oxford University Press, 1971.
__________. "Modes in the Fourteenth Century, in Particular in the
Music of Guillaume de Machaut." Organices Voces: Festschrift Joseph
Smits van Waesberghe. Ed. Pieter Fischer. Amsterdam: I.M.M. Institut
voor Middeleeuwse Musiekwetenschap, 1963; 137-43.
__________. "Musica Ficta in the Works of Guillaume de Machaut."
Les Colloques de Wégimont 2 (1955). Paris: Société d'Edition "Les
Belles Lettres," 1959; 196-203.
__________. "Notes on the Harmonic Technique of Guillaume de
Machaut." Essays in Musicology: A Birthday Offering for Willi
Apel. Ed. Hans Tischler. Blommington: Indiana University Press,
1968; 63-8.
__________. "The Poetic Form of Machaut's Musical Works." Musica
Disciplina 13 (1959): 25-41.
__________. "Toward a Chronology of Machaut's Musical Works."
Musica Disciplina 21 (1967): 87-96.
__________. "Transposition and 'Key' Signatures in Late Medieval
Music." Musica Disciplina 33 (1979): 27-41.
__________. "Voices and Instruments in the Music of Guillaume de
Machaut." Kongress-Bericht Bamberg 1953. Eds. Wilfried Brennecke,
et al. Kassel and Basel: Bärenreiter, 1954; 245-8.
__________, ed. Manuscripts of Polyphonic Music (c. 1320-1400).
RISM B IV2. Munich-Duisburg: Henle, 1969.
Reese, Gustave. Music in the Middle Ages. New York: W.W.
Norton, 1940.
Reichert, Georg. "Das Verhältnis zwischen musikalischer und
textlicher Stuktur in den Motetten Machauts." Archiv für
Musikwissenschaft 13 (1956): 197-216.
Riemann, Hugo. "Das Kunstlied im 14-15. Jahhundert." Sammelbände
der internationalen Musikgesellschaft 7 (1906): 529-50.
Robertson, Anne Walters. "The Mass of Guillaume de Machaut in the
cathedral of Reims." Plainsong in the age of polyphony. Ed.
Thomas Forrest Kelly. Vol. 2 in the series Cambridge Studies in
Performance Practice. Cambridge: Cambridge University Press, 1992;
100-39.
Sanders, Ernest H. "The Medieval Motet." Gattungen der Musik in
Einzeldarstellungen: Gedenkschrift Leo Schrade. Vol. I. Eds. Wulf
Arlt, et al. Bern: Franke, 1973; 497-573.
Schneider, Marius. Die Ars Nova des XIV. Jahrhunderts in
Frankreich und Italien. Potsdam: Hayn, 1931.
Schrade, Leo. "The Chronology of the Ars Nova in France." Les
Colloques de Wégimont, II-1955. Paris: Société d'Edition "Les Belles
Lettres," 1959; 37-62.
__________. "Guillaume de Machaut and the Roman de Fauvel."
Miscenánea en homenaje a Monseñor Higinio Anglès. 2 vols.
Barcelona: Consejo Superior de Investigaciones Científicas, 1958/61;
Vol. 2, 843-50.
Swartz, Anne. "A New Chronology of the Ballades of Machaut." Acta
Musicologica 46 (1974): 192-207.
Ursprung, Otto. Die Katholische Kirchenmusik. Handbuch der
Musikwissenschaft [Vol. 9]. Ed. Ernst Bücken. Potsdam: Athenaion,
1931.
Wilkins, Nigel. Music in the Age of Chaucer. 2nd ed.
Chaucer Studies I. Cambridge, England: D.S. Brewer, 1980.
Williams, Sarah J. "The lady, the lyric, the letters." Early
Music 5 (1977): 462-8.
__________. "The Music of Guillaume de Machaut." Ph.D. dissertation,
Yale University, 1952.
__________. "Vocal Scoring in the Chansons of Guillaume de Machaut."
Journal of the American Musicological Society 21 (1968):
251-7.
Wilson, David F. Music of the Middle Ages: Style and
Structure. New York: Schirmer, 1990.
Wimsatt, James I. "Chaucer and Deschamps' 'Natural Music.'" The
Union of Words and Music in Medieval Poetry. Eds. Rebecca A.
Baltzer, Thomas Cable, and James I. Wimsatt. Austin: University of Texas
Press, 1991; 131-50.
Yudkin, Jeremy. Music in Medieval Europe. Englewood Cliffs,
NJ: Prentice-Hall, 1989.
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